Noted for its family-friendly advertising and the colorful "Dee's Clowns" that adorned its restaurants, the franchise became a Utah cultural landmark in the 1960s. At its height, the family operated 53 restaurants with an annual revenue of $ million per year. In the late 1970s, an altered business strategy led the Anderson family to sell all of its Dee's Drive-Ins to Hardee's; a dozen Dee's Family Restaurants remained in business. Half of them continue to operate across the Wasatch Front region of Utah. Dee Frederick Anderson, a fast-food entrepreneur from Ephraim, Utah, opened his first Dee's Restaurant in 1932. He was inspired to create Dee's Drive-Ins after seeing drive-in restaurants during a 1953 visit to Long Beach, California. Established a year later, his first Dee's Drive-In was a $125,000 building at 753 E. 2100 South Street in Salt Lake City. On average, the shop served 2,500 customers daily, selling burgers, hot dogs and apple turnovers for 19 cents and French fries and soft drinks for ten cents. Within two years, Anderson had opened his two more drive-ins and Dee's Drive-In had 100 employees. One of Anderson's friends opened a franchise in Johannesburg in 1972, which was the first American fast food outlet in South Africa. Dee's Drive-In went on to have 53 restaurants earning over $ million annually. http://en.wikipedia.org/wiki/Dee%27s_Drive-In It was in Salt Lake City that Maurice [Warshaw] left his mark. Conditions for the Warshaw's were difficult but Maurice and his father made a living peddling merchandise and foodstuffs. After several years in Salt Lake City, his step-mother died and his father moved to Cleveland. Maurice continued to work at various jobs until the Depression years, when he opened his own business at Ninth South and Main in Salt Lake City. He named his first store Grand Central Market hoping one day it would become "as busy as a big station." Because of his marketing innovations and firm belief in being volume-oriented along with giving the customer a good deal, his Grand Central spread throughout Utah into Idaho and Wyoming. Founder Maurice Warshaw died on January 5, 1979. http://en.wikipedia.org/wiki/Grand_Central_%28store%29 http://www.media.utah.edu/UHE/w/WARSHAW,MAURICE.html http://en.wikipedia.org/wiki/Snelgrove%27s_Ice_Cream Originally the lobby had a a planting box of native flagstone instead of a concession stand. The east wall of the lobby also held a "montage" of Utah scenery, constructed of copper-colored metals, artificial cedar leaves, wood, fabrics and plastics. The central figure in the montage was a "sophisticated-looking woman," which the artist said was his impression of the "Utah girl."2 The theater had 1300 seats "in a 'stadium' arrangement, a new theater layout plan successfully utilized in two new model theaters recently built at Los Angeles, Cal. . . . the front half of the theater is level and the rear half of the auditorium built on a rather steep incline. The entranceway is beneath the 'riser,' as is common in football stadiums."3 In the 1950s and 1960s, the Villa was the first and sometimes the only Salt Lake theater to show new widescreen formats such as CinemaScope, TODD-AO, Technirama-70, Cinemiracle, and Cinerama. In 1958, the Villa drew nationwide attention for its 10-month and 4-day run of South Pacific. Moviegoers came to the theater from all parts of Utah, as well as southern Idaho and eastern Nevada. There were 280,000 paid admissions for the 435 performances, about 50,000 more than the estimated population of Salt Lake City at the time. The biggest alteration to the Villa came when Cinemiracle was installed in August 1960. A large "100-foot curved screen"4 was built at the front of the auditorium, reducing seating capacity by about 300 seats and hiding the stage and its beautiful draperies. Probably at the same time the white ceiling of the auditorium was painted blue and the original red background of the murals was painted over with a more neutral color. In July 1961, Cinerama came to the Villa Theatre, starting with a benefit premiere of This Is Cinerama complete with a red carpet and a live performance by the Mormon Tabernacle Choir. The Villa showed three-projector Cinerama until February 1964, when it was converted to the new Cinerama process which used a 70mm print on a single projector. The theater continued to show Cinerama through 1969. http://villatheatre.com/ http://utahtheaters.info/TheaterMain.asp?ID3D118 The Southeast Theater was located in downtown Sugarhouse at 2121 South 1100 East, next to the Sprague Branch library. The theater was behind stores on the street and was reached by a long hall. The auditorium itself was positioned at an angle, apparently following the odd property line of the adjacent library. The theater was built sometime before 1939 and was run by Fox Intermountain theaters. It closed after 1976 and was converted into retail. It was demolished in the late 1990s to make way for a new retail development on the block. http://utahtheaters.info/TheaterMain.asp?ID3D118 And they all came; Blue Cheer, The Beau Brummels, Donovan, Gary Lewis & the Playboys, Herman's Hermits, Jan and Dean, Janis Joplin, Jefferson Airplane, Jimi Hendrix, Pete Seeger, Peter and Gordon, Strawberry Alarm Clock, The Animals, The Association, The Beach Boys, The Dave Clark Five, The Doors, The Electric Prunes, The Mamas & The Papas, The Mothers of Invention , The Rolling Stones and dozens of other top Rock & Roll and psychedelic acts played the Patio Gardens during the 60's and early 70's. It was musical nirvana. The first band I ever saw at the Patio Gardens was the Beach Boys. In all, they played at Lagoon 7 times from 1963-70. As for their song regaling Lagoon, the grooviest kids, and the cutest girls in the Western states, "Salt Lake City", appeared on their Summer Days, and Summer Nights album. And although it never saw general release as a 45 rpm single, it had limited release in 1965 as a promo item for distribution in Salt Lake City Stores. It's rare to find a nice copy these days. http://www.articlesbase.com/music-articles/patio-gardens-at-lagoon-utah-musical-nirvana-4229606.html During the Motor Vu's opening season, Peterson and his family spent so much time at the drive-in that they built a home inside the screen tower. The house had two bedrooms, utility room, kitchen, breakfast nook, living room, and a sound studio. On 17 April 1949, the Motor-Vu Drive-In opened the Mother Goose Playland. The new $13,000 playground featured swings, a slide, teeter-totters, picnic grounds, and a $4000, 16-passenger miniature train. The playground and picnic facilities were available for the use of Motor-Vu Drive-In patrons daily, starting at 7 p.m. and closing when the first movie started at 9 p.m. In 1954, the Motor Vu Drive-In became the first outdoor theater to be licensed for CinemaScope. The Motor Vu's new curved screen, measuring 48 feet high by 102 feet wide, was the largest in the world at the time. Stereo soound was provided using two speakers per car. The Motor Vu re-opened with the new screen on 19 March 1854, showing the first CinemaScope movie, "The Robe." The Motor Vu Drive-In also had its own radio station, featuring Disc Jockey Carl. In 1961, Intermountain Theaters, Inc. installed a new snack bar at the Motor-Vu Drive-In. http://utahtheaters.info/TheaterMain.asp?ID=101 |